Sinclair Broadcast Group Logo

Sinclair Broadcast Group

Video Editor

Posted Yesterday
Be an Early Applicant
In-Office
Santa Monica, CA, USA
70K-81K Annually
Mid level
In-Office
Santa Monica, CA, USA
70K-81K Annually
Mid level
Edit high-volume short-form vertical videos for TikTok, Reels, Shorts, Facebook and X with rapid tournament turnarounds; add captions, sound, platform-native styling, and maintain reusable asset libraries. Support long-form editing, color and audio finishing, pitch and produce trend-driven short-form concepts, capture on-site tournament content, and report performance metrics against weekly targets.
The summary above was generated by AI

Tennis Channel reaches millions of fans every day through social, digital, streaming, and original video content. This Video Editor helps bring those stories to life, serving as a key contributor to our short-form content operation while supporting long-form productions across the broader video team.


The role is primarily focused on editing short-form content for TikTok, Reels, YouTube Shorts, Facebook, and X, working closely with the Short-Form Video Producer Lead throughout the edit and publishing process. The editor also provides support on long-form projects, including original series, platform-specific features, and branded content, as production needs evolve. In addition, the position contributes to content development by helping generate ideas for trend-driven and serialized content and producing select shoots under the guidance of the Short-Form Video Producer Lead. Based within the Short-Form Pod, the role receives ongoing long-form project assignments through the Weekly Production Schedule established by the Director of Video Content.


This role is onsite and based in our Santa Monica, CA office.

Core Responsibilities

Editing (primary lane)

  • Cut short-form vertical videos for TikTok, Reels, and Shorts daily — hit tournament turnaround targets (typically under 60-90 minutes from raw footage to social-ready cut).
  • Add captions, sound, and platform-native styling to every short-form cut.
  • Apply a higher polish bar where the piece warrants it — branded short-form, tentpole moments, serialized short-form formats.
  • Support long-form editing when assigned — original series episodes, IG and FB longer features (3-10 minute range), branded series at the editor level — in partnership with the Long-Form Pod under the Director of Video Content's editorial direction.
  • Apply color, audio mixing, and motion-graphics polish on long-form pieces where the format calls for it.
  • Maintain a library of reusable short-form assets (player intros, brand bumpers, sound packs, transition templates) in partnership with the Short-Form Pod.

Concept & Production  (secondary lane)

  • Bring some producer experience to the Short-Form Pod — take on light concept and production opportunities as a secondary lane to the primary editing scope.
  • Pitch new short-form formats to the Short-Form Video Producer Lead — trend-aligned executions, serialized format ideas, recurring template concepts the team could run.
  • Help concept and ideate trend-driven and serialized pieces alongside the Short-Form Video Producer Lead and the Social Media Specialist — bring an editor's eye to what will cut well to the format and platform.
  • Produce select short-form shoots when capacity allows — own the production side of a piece end-to-end on the smaller, fastest-turn projects, in coordination with the Short-Form Video Producer Lead.
  • Contribute on-the-ground capture during select tournament weeks when traveling — phone-first short-form moments, BTS, court-side captures — under the Short-Form Video Producer Lead's direction.
  • Operate at the bar the Short-Form Video Producer Lead sets; production work is secondary and should not crowd out editing turnaround.

Campaign Leadership

  • Cover tournament short-form editing volume as a primary editor in the Short-Form Pod.
  • Step into long-form editing during shoot weeks, original series production windows, and branded series finishing — as directed by the Director of Video Content's Weekly Production Schedule.
  • Contribute to the short-form video share of the tournament content package that the Senior Social Media Manager and Director of Video Content jointly develop (with Head of Social final approval).

Analytics & Reporting

  • Surface short-form performance insights (which cuts performed, which formats are tired, what to test next) to the Short-Form Video Producer Lead and the Director of Video Content.
  • Track personal turnaround times and publish-cadence contribution against the Short-Form Pod's weekly targets.

Platform Expertise & Trends

  • Stay current on short-form platform mechanics — TikTok edit timing, Reels native feature releases, Shorts retention norms — and apply learnings to the cut.
  • Contribute short-form edit ideas to the Weekly Trending Content Meeting (chaired by the Senior Social Media Manager) when the team is shaping a trend response.
  • Maintain comfort with long-form pacing and narrative-edit conventions to keep long-form support a real capability, not a stretch.

Cross-Functional Partnership

  • Partner daily with the Short-Form Video Producer Lead on the Short-Form Pod cut-and-publish cycle.
  • Partner with the Long-Form Pod on long-form support weeks — pre-pro briefings, dailies feedback, finish review — rather than receiving a cold hand-off.
  • Partner with the on-shift coordinator on publish-window timing for short-form cuts going up under coordinator guardrails.
  • Partner with the Social Graphics Content Specialist on graphics packages (titles, lower-thirds, end cards) that pair with short-form and long-form cuts.
  • Partner with the Social Media Specialist on UGC and trend-aligned executions when the Short-Form Pod is shaping a trend response.
  • Handle community management on cuts published under your name when the format calls for it — first-hour comments and meaningful replies; escalate brand-tone or rights questions to the Senior Social Media Manager.

Key Performance Indicators

  • Short-form cut turnaround time during tournaments (target: under 60-90 minutes from raw footage to social-ready cut).
  • Short-form output volume per tournament week and per non-tournament week.
  • Engagement rate on short-form cuts produced.
  • Long-form support contribution: weeks per quarter providing long-form capacity, and quality of those finished pieces (qualitative review).
  • Concept and production contribution: short-form format pitches brought to the Short-Form Video Producer Lead per quarter and pitches that get greenlit and shipped.
  • Quality bar across short-form output (qualitative review by Director of Video Content and Short-Form Video Producer Lead).
  • Reusable short-form asset library maintained and refreshed quarterly.
  • Trend response time partnership metric with the Short-Form Video Producer Lead and the Social Media Specialist (target: trend to published under 24 hours, often under 6 hours during active tournaments).

Qualifications

  • 3-5 years editing short-form vertical video, with documented long-form or branded video experience as well.
  • Some producer or production experience preferred — ideation, shoot coordination, on-the-ground capture for short-form.
  • Hands-on fluency with Premiere Pro and CapCut Pro at minimum; After Effects or DaVinci Resolve a plus for long-form support.
  • Strong sense of timing for short-form, captions, and trend-aligned edits.
  • Narrative and pacing capability for longer-form cuts when the work calls for it.
  • Color and audio-mixing competence for finished long-form pieces.
  • Comfort being on-the-ground at tournaments for select weeks if traveling.
  • Comfort moving between high-volume short-form turnaround weeks and slower, higher-polish long-form weeks.
  • Sports, live event, or news editing experience preferred.

Tennis Channel is proud to be equal opportunity employer and a drug free workplace. Employment practices will not be influenced or affected by virtue of an applicant's or employee's race, color, religion, sex (including pregnancy, gender identity, and sexual orientation), national origin, age, disability, genetic information, military or veteran status or any other characteristic protected by law.


About Tennis Channel
 

Tennis Channel is the only multiplatform destination dedicated solely to tennis year-round. Together, the Tennis Channel flagship network, Tennis Channel 2, and the Tennis Channel app (tennischannel.com) deliver the most accessible and concentrated single-sport coverage anywhere. As the exclusive U.S. home of the ATP Tour and WTA Tour, Tennis Channel features live coverage of every Masters 1000 tournament — including Indian Wells, the Miami Open, Madrid, Rome, Cincinnati, and more — alongside live studio programming including its premier series, TC Live. Tennis Channel 2, a free FAST channel available in over 100 million homes, brings fans matches from across the globe at every level of the game. The Tennis Channel app brings it all together in one place, delivering live and on-demand matches, original content, and a personalized multi-view experience for fans, available on mobile and connected TV devices. Owned by Sinclair, Tennis Channel is also a co-owner of PickleballTV (pickleballtv.com), a joint venture with the Professional Pickleball Association.

About Sinclair
Sinclair, Inc. (Nasdaq: SBGI) is a diversified media company and a leading provider of local news and sports. The Company owns, operates and/or provides services to 177 television stations in 79 markets affiliated with all major broadcast networks; owns Tennis Channel, the premium destination for tennis enthusiasts; and multicast networks CHARGE, Comet, ROAR and The Nest. Sinclair’s AMP Media produces a growing portfolio of digital content and original podcasts. Additional information about Sinclair can be found at www.sbgi.net.

About the Team
The life-blood of our organization is our people. We have a compelling story, a goal-oriented culture, and we take really good care of people. How good? Here is a glimpse: great benefits, open-door policy, upward mobility and a strong desire to see you succeed. Ready to be part of a winning team? Let’s talk.

The base salary compensation for this role is $70,300 to $80,600.00. Final compensation for this role will be determined by various factors such as a candidates’ relevant work experience, skills, certifications, and geographic location. Full time positions are eligible for benefits that include participation in a retirement plan, life and disability insurance, health, dental and vision plans, flexible spending accounts, sick leave, vacation time, personal time, parental leave and employee stock purchase plan.

#tennis

Similar Jobs

7 Days Ago
Easy Apply
In-Office
2 Locations
Easy Apply
70K-88K Annually
Mid level
70K-88K Annually
Mid level
Digital Media • eCommerce • Information Technology • Marketing Tech • Pet • Retail • Social Media
Create short-form and long-form marketing videos and motion graphics for social platforms and other channels. Edit raw footage into polished narratives, design complex motion graphics, collaborate with producers and story teams, optimize ads quickly using data-driven decisions, manage multiple projects, and ensure technical and creative quality using industry-standard Adobe tools.
Top Skills: Adobe Premiere ProAfter EffectsIllustratorMedia EncoderPhotoshop
16 Days Ago
In-Office
El Segundo, CA, USA
60K-116K Annually
Senior level
60K-116K Annually
Senior level
Information Technology • Internet of Things • Mobile • On-Demand • Software
As a Senior Video Editor, you will lead editing processes, produce shows, and maintain high production standards while utilizing advanced editing software.
Top Skills: Adobe After EffectsPhotoshopPremiere ProPro Tools
14 Days Ago
In-Office
18-19 Hourly
Entry level
18-19 Hourly
Entry level
Digital Media • News + Entertainment
Editors are sought for part-time positions to edit video for a television news department. Experience is preferred, and training will be provided in Premiere editing.
Top Skills: Premiere

What you need to know about the Los Angeles Tech Scene

Los Angeles is a global leader in entertainment, so it’s no surprise that many of the biggest players in streaming, digital media and game development call the city home. But the city boasts plenty of non-entertainment innovation as well, with tech companies spanning verticals like AI, fintech, e-commerce and biotech. With major universities like Caltech, UCLA, USC and the nearby UC Irvine, the city has a steady supply of top-flight tech and engineering talent — not counting the graduates flocking to Los Angeles from across the world to enjoy its beaches, culture and year-round temperate climate.

Key Facts About Los Angeles Tech

  • Number of Tech Workers: 375,800; 5.5% of overall workforce (2024 CompTIA survey)
  • Major Tech Employers: Snap, Netflix, SpaceX, Disney, Google
  • Key Industries: Artificial intelligence, adtech, media, software, game development
  • Funding Landscape: $11.6 billion in venture capital funding in 2024 (Pitchbook)
  • Notable Investors: Strong Ventures, Fifth Wall, Upfront Ventures, Mucker Capital, Kittyhawk Ventures
  • Research Centers and Universities: California Institute of Technology, UCLA, University of Southern California, UC Irvine, Pepperdine, California Institute for Immunology and Immunotherapy, Center for Quantum Science and Engineering

Sign up now Access later

Create Free Account

Please log in or sign up to report this job.

Create Free Account