Jobs at Sinclair Broadcast Group

The Digital Content Creator will pitch, produce, and edit engaging multi-platform content focused on unique American stories, utilizing strong storytelling and on-camera presence.

The Tech Assistant will support live remote sports broadcasting by setting up and maintaining production equipment, troubleshooting issues, managing inventory, and providing technical support during events. Frequent travel is required to various event locations.

The Producer will enhance the Tennis Channel's podcast by developing content strategies, managing production processes, and driving audience engagement across multiple platforms.

Develop scalable backend systems for a Direct-to-Consumer platform. Collaborate with cross-functional teams to create reliable services for live streaming and content management.

Own and execute integrated co-marketing programs with distribution partners to drive acquisition, engagement, and retention across CTV/FAST/MVPD platforms. Coordinate asset workflows, optimize campaign performance using analytics, produce executive reporting and partner recaps, ensure promotional delivery and contractual obligations, and collaborate cross-functionally to scale processes and support audience and revenue growth.

Lead cross-platform research by integrating ratings, syndicated and proprietary data (including Nielsen) to produce actionable analyses and tournament presentations. Advise on sports media trends and rights, respond to ad-hoc requests, identify research best practices, and manage/develop a junior analytics team to inform strategic decisions across Tennis Channel platforms and clients.

This role oversees the execution of Tennis Channel's brand across various physical and presentation touchpoints, ensuring consistency and quality. Responsibilities include managing brand applications, collaborating with teams, and maintaining organized files.

Manage end-to-end production operations for studio and field shoots: logistics, crew staffing, equipment and inventory, scheduling, on-set technical support, troubleshooting, budgeting, and administrative tasks from pre-production through wrap.

Shoot, produce, and edit short- and long-form social-first video across platforms. Capture high-quality footage with mobile and camera rigs, direct talent, manage studio and field shoots, create motion graphics/text treatments, optimize edits for platform performance, and manage media workflows and deadlines in fast-paced environments.

Produce and manage weekly and limited-run scripted documentary podcasts: research cases, develop stories and scripts, conduct interviews, prepare hosts, oversee editors and associate producers, manage workflows and recording logistics, collaborate with video/social/marketing teams, ensure fact-checking and legal review, and track audience metrics to inform editorial decisions.

Lead media operations for acquisition and distribution of media assets, manage team, oversee cloud migration, ensure workflow efficiency.

Freelance graphic designer leading YouTube thumbnail design and bespoke social-first graphics across platforms. Executes briefs, A/B tests thumbnails, maintains Slate template library and thumbnail style guide, delivers publish-ready assets on tight tournament schedules, and partners with video and social teams to drive campaign execution and platform-specific visual trends.

Freelance YouTube editor responsible for end-to-end long-form YouTube edits and weekly podcast cutdowns into platform-native Shorts/Reels/TikTok. Collaborate with Long-Form and Short-Form Pods, maintain content calendar, apply brand standards, run platform tests, and deliver high-volume edits with thumbnail/design input and analytics-driven optimization to grow subscribers and improve retention and CTR.

Produce end-to-end social video content across TikTok, Instagram, Facebook, X, and YouTube: concepting, shooting (phone-first and DSLR/mirrorless), self-editing in CapCut Pro and Premiere Pro, and delivering fast-turn trend-driven and higher-polish pieces. Coordinate with social and video leadership, contribute to content calendars and pipelines, travel to tournaments (8–15 weeks/year), and report performance and insights against KPIs.